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If you find yourself adding or subtracting a large amount, check the following:.There is sometimes a lot of attenuation or gain at this stage – it can be a source of issues.This refers to the output after your mix bus or mix output – changes here only affect monitoring and are not printed to the.Controller on control protocol, like MIDI.Microphone – Be sure to engage phantom power if needed.This would be the instrument, be it acoustic or electronic or even a human voice.Local headphones will always share the source with Line Out 3-4.Use when you want a headphone mix different from your main mix, or when using an external monitor controller or headphone system.” “STUDIO MODE feeds the Line Out 3-4 and Phones with DAW 3-4.To use this mode, create a headphone mix in your DAW and route it out DAW 3-4 before selecting “B” in the mixer panel.DAW 3-4 out feeds line out 3-4 & local headphones.STUDIO MODE is labeled “B” and is specially tailored to users who create a separate headphone mix from the DAW 1-2.Use Line Out 3-4 for an external headphone amp, mix deck, or processing chain “PRODUCTION MODE is default, and feeds the Line Out 3-4 and Phones with your MIX OUT, which includes DAW 1-2.Line Out 3-4 can be sent to an external headphone amp in your tracking room.DAW 1-2) feeds the local headphones and Line Out 3-4 PRODUCTION MODE is labeled “A” and will be the default for most users.Line out 3-4 & local headphones share a source & trim fader.The MODE selection determines how your local headphones & line out 3-4 are fed